The return to chant based on biblical and liturgical texts will be fruitful only if the liturgical meaning of the words is fully understood by both the singers and congregation. Moreover, it is not enough to understand them: they must penetrate the spiritual and mystical sphere of the individual souls, as well as catechesis, preaching, and church life outside the liturgy. The sung words and tunes built into the memory of communities and individuals will deeply influence their way of thinking. Such church music will be able to contribute to the re-sacralization of our view of the Church. In other words, church music will not be able to fulfill its task, if its position is separated from the other activities of the Church. The ideal relationship is that the life of the praying Church governs church music. But the direction is sometimes reversed: church music may influence the Church’s life. Remember that the renewal of the liturgy in the 19th century began with the Gregorian reform of Solesmes!

In order to carry out the program I have discussed here, church musicians will have need of the four “cardinal virtues.”

  • They need stability in principles rejecting any compromise on the most important points.
  • They need continued learning and workshop activity in order to be able to realize the great principles in the smallest of details.
  • They need collaboration, for today there is no chance of surmounting the crisis except by a unanimous stance and common strategy concerning the main points.
  • And finally they need a great deal of individual and common prayer, because they themselves may plant and water, but God alone gives the growth.

Quod Deus bene vertat!

Laszlo Dobszay, The Bugnini-Liturgy and the Reform of the Reform (2003)

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